Pudor 7. Imagem 8. Dedicated to Artur Rubinstein. W is an orchestral version. W is an arrangement for band. Originally published in the collection Partituras para banda Vol. Dedicated to Midinha W A lenda do caboclo 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, timpani, triangle, harp, strings Orchestral 5 See W An alternate orchestration by Adalberto de Carvalho exists. Therefore, I have amended the date of composition. Subtitled 'Divertimento'. Poetry by Godofredo da Silva Telles.
Fleury, L. Gaudard, H. Declacoix, R. Briard, G. Dherin, G. Truc, J. Souza Lima, Inghelbrecht, Caillette, L. Perret, and Villa-Lobos conducting. Quero ser alegre 3.
Subtitled 'Setemino'. Dedicated to Arnaldo Guinle. The clarinet is to be played without a reed in this work blown like a horn. W is an arrangement for female chorus and piano, and W is for voice and piano. Subtitled 'Picapau' 'woodpecker' , and inscribed as 'Dedicated to the sonorous atmosphere of the primitive music of the aborigines of the states of Matto Grosso and Goias'.
Roquette Pinto, from Mato Grosso. Also dedicated to Oswald de Andrade and his wife, Tarsila do Amaral. There also exists an orchestral version. Dedicated to Paulo Prado. A ballet version exists titled Jurapury , which was danced in Rio de Janeiro and Paris. Masters ? Zangou-se o cravo com a rosa 2. Adeus bela morena 3. Vamos maninha 4. Olha aquela menina 5.
Senhora pastora 6. Todo mundo passa 8. Vamos ver a mulatinha 9. A canoa virou Subtitled 'Entrada' and 'A caminho da reza'. Appleby gives as the date of composition. A cigarra no inverno 2. O vagalume na claridade 3. In addition, 'Mariposa na luz' was included in W Premiered 17 November, 19?? W Serestas Voice, piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, 2 bass clarinets, alto saxophone, 2 bassoons, contrabassoon, 4 horns, trumpet, 2 trombones, tuba, timpani, tam-tam, chorinho, reco, harp, celesta, strings Vocal solo 25 1.
Pobre cega 2. Saudades da minha vida 4. Modinha 5. Na paz do outono 6. Abril 9. Desejo Anjo da guarda 3. Saudades da minha vida 5. Modinha 6. Na paz do outono 7. Abril Redondilha Realejo This work is intended to be a series of impressions of various South American countries. Dedicated to Arminda Neves d'Almeida Terezinha de Jesus 2. A condessa 3. Senhora Dona Sancha 4. O cravo brigou com a rosa 5. Pobre cega Toada de rede 6.
O pintor de Canahy Nesta rua, nesta rua Olha o passarinho domine A procura de uma agulha Que lindos olhos Dedicated to Alfredo Oswald. W is an arrangemet of 'Terezinha de Jesus' for guitar. Gude 2. Peteca 5. Futebol 7. Soldado de chumbo 9. Campoeiragem Subtitled 'Esportes'.
W is an arrangement for voice, mixed chorus, and orchestra. Based on a Portuguese melody. Dedicated to Mademoiselles Lile and Beatriz Lucas.
Dedicated to Tony Close and Maurice Raskin. Villa-Lobos also made a piano reduction of this work. Appleby gives as the date of composition, but the autograph MS is marked Francette ficou triste Francette est triste 8. Francette ficou contente Francette est contente W is a transcription for orchestra. W Momoprecoce Piano solo , piccolo, flute, oboe, English horn, clarinet, alto saxophone, bassoon, 3 horns, trumpet C , trombone, timpani, tambor, tambor de basque, tamborim de campagne, caixa, tambor infantil, bass drum, chocalho infantil, chocalho metal and wood , reco, strings Concertante 18 Eschig Premiered , in Amsterdam, with Magda Tagliaferro piano and Pierre Monteux conducting.
Dedicated to Magda Tagliaferro. A 2-piano reduction exists. W is a transcription for piano and band. Ouverture de l'homme tel 2. Le recit du peureux drame 5. Charlot aviateur comique 6. La marche finale Premiered 3 April, , in the residence of Mme. Frederic Moreau in Paris, with Anthony Bernard conducting.
Frederic Moreau. Also, W is an arrangement of 'Ouverture de l'homme tel' for orchestra. W Bachianas brasileiras No. The first movement is believed to have been written between and Dedicated to Pablo Casals.
Dedicated to Mindinha. W is a version for cello and piano; W is an arrangement of the first movement for cello and piano; W is an arrangement of the second movement for cello and piano; W is an arrangement of the third movement for piano solo; and W is an arrangement of the fourth movement for cello and piano.
Premiered 29 January, 19?? Dedicated to Georgette Baptista. Original version entitled Realejo quebrado. W Fuga No. Subtitled 'Fantasia'. W Noturno op. Bach's The Well-Tempered Clavier. W is an arrangement for an orchestra of cellos. Premiered in Rio de Janeiro in Originally entitled Quarteto Popular No. W is a version for piano and orchestra. Text by Pedro Mello; written on a theme by Mendelssohn. Written on a theme by Massenet. W Fuga no. Intended to be "a practical guide to musical and artistic education" Appleby Acordei de madrugada 2.
A roseira 2nd version 4. Manquinha 5. Na corda da viola Nos. Brinquedo 2. Machadinha 3. Espanha 4. Samba-le-le 5. Dedicated to Julieta d'Almeida Strutt. O pastorzinho 2. A freira 4. Dedicated to Arnaldo Estrela. O pobre e o rico 2. Rosa amarela 2nd version 3. Olha o passarinho, domine 4. O gato 5. O sim Dedicated to Magdalena Tagliaferro. Os pombinhos 2. A condessa Nos. Dedicated to Anna Stella Schic.
O corcunda 3. O carangueijo 1st version 4. A pombinha voou 5. Dedicated to William Kapell. No fundo do meu quintal 2. Vamos Maruca 4. Os pombinhos 5. De flor em flor 2. Mariquita muchaca 6. No jardim celestial Nos. Written on a melody and text by C. Pedro I and Evaristo da Veiga. Written on a melody by Gluck with text by Rollet. Written on a theme by J.
Written on a theme by Beethoven. Text by F. This work was adapted from a motet by Palestrina. W is an arrangement for four-part male chorus, and W is for chorus and band. Text by Aristeo Seixas. W Papagaio do moleque piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 4 trumpets, 4 trombones, tuba, timpani, tam-tam, cymbals, chocalho, pandeira, xylophone, celesta, 2 harps, piano, strings Orchestral 14 Eschig? Written on a theme by Robert Schumann.
Written on a theme by G. Miranda and J. Melo e Souza. Written on a theme by Mozart; poetry adapted by Honorato Faustino. This piece is an arrangement of a waltz by Chopin. Written on a theme by F. Inspired by Gregorian chant; text in Latin. Subtitled 'Moteto'. This work is an arrangement of the coronation scene and monologue of Act I of Mussorgsky's original for voice and piano.
Paula Barros. This work is an orchestration of the original for voice and piano by E. Based on a popular Russian tune. W is an arrangement for six-part mixed chorus. W is an arrangement for bassoon and piano, and W is for voice and piano. Based on Ernesto Nazareth's Atrevido and Odeon.
Written on a theme and text by Sylvio Salema. Text by Villa-Lobos. Subtitled 'Embolada'. Written on a theme collected by E. Written on a melody by A. Nepomuceno and text by Osorio Duque Estrada. This work is an arrangement of a work for voice and piano by Tchaikovsky. This work is a choral adaptation of A.
This work is an arrangement of Franz Schubert's Serenade. Text by Catarina Santoro. This work is an arrangement from Verdi's La Forza del destino. Dedicated to the children of Recife. This work is an arrangement of a work by Francisco Braga. This work is a choral arrangement of a Rachmaninov prelude. This work is an arrangement of a work by P. W Argentina Chorus Three-Part ? Written on a melody collected by Isabel Etchensary from an Indian dance.
Appleby gives the date of composition as , but this would clearly conflict with the date of premiere. Alegria de viver 2. Companheiros, companheiros Text by M. This work is based on a popular French tune. Carambola 3. Pobre cega 4. Pai Francisco 5. Sinh 'Aninha 7. Laranjeira pequenina 2. Pombinha rolinha 3.
O ciranda, O cirandinha 4. A velha que tinha nove filhos 5. Constante 6. O castelo Nos. Text by Jacques Raymundo. This work is based on a popular children's tune. W Vocalismo No. A gatinha parda popular infantil 5. W is a version for voice and orchestra. This work is based on themes from Gomes's opera Colombo. Premiered 7 September, , in Rio de Janeiro, with Villa-Lobos conducting 30, singers and band members.
Text by Bittencourt Sampaio. This work is an arrangement of a work by Carlos Gomes. W Hino escolar Chorus Two-Part a cappella ? Text by M. This work is an arrangement of a work by Ernesto Nazareth. Appleby gives the date of composition as Text by J. Plantio do caboclo 2. Dedicated to Arminda Neves d'Almeida.
Written for the film Descobrimento do Brasil directed by Humberto Mauro. Premiered , in Paris. W Descobrimento do Brasil Suite No. This work and its companion suites were originally commissioned by the Brazilian Cacao Institute of Bahia for the film of the same title directed by Humberto Mauro; Villa-Lobos then expanded it into the four suites.
Festa nas selvas 3. Primeira missa no Brasil Dedicated to Mindinha. W is an arrangement for female chorus. Written on a melody by J.
O virtuoso 2. Soldado romano 3. Defensor da igreja 4. O santo 6. Protetor do Brasil! Dedicated to Friar Pedro Zinzig. W Primeira missa no Brasil Chorus Mixed , Chorus Children's , clarinet without mouthpiece , bass clarinet, bassoon, contrabassoon, chocalho, reco-reco, tambor surdo Choral This work was produced for the film Descobrimento do Brasil see W Canto africano 3.
Fantasia Devaneio 3. Completely premiered 10 October, , in Paris, with Hilda Ohlin voice. W is a transcription for voice and piano, and W is for voice and guitar.
Originally written for 9 cellos. Koellreutter flute and Aquiles Spernazzati bassoon. W Fantasia e fuga no. W Marquesa de Santos flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani, cymbals, bass drum, harp, strings Orchestral 7 1. Lundu 2. Valsinha brasileira 3. This work was written for the play of the same name by Viriato Correa. W is an arrangement of the second and third movements for piano. W Marquesa de Santos Piano Solo 5 1.
Gavota-choro See W Melodia da montanha Piano ? Solo 2 This work appears to be a sort of sketch for New York Skyline Melody see W ; it uses the same technique, known as millimetrization. W Sinos Chorus Three-Part a cappella ? Written on a theme by A. Appleby gives as the composition date.
W Tiradentes Chorus, Orchestra ? Text by Viriato Correa. Written under the name Epaminondas Villalba Filho. W is an arrangement for voice and piano, and W is for voice, mixed chorus, and harpsichord. W Tocata e fuga no. This work is an arrangement of a Toccata and Fugue for organ by Bach.
Text by Paulino Santos. A gatinha parda written - based on a 19th-century children's song See W See also Melodia da montanha. W New York Skyline Melody 2 flutes, oboe, English horn, clarinet, alto saxophone, bassoon, 3 horns, trumpet C , trombone, timpani, tam-tam, wood block, cymbals, triangle, xylophone, vibraphone, celesta, harp, strings Orchestral 6 Eschig See W Alnitah 2.
Alnilam 3. Dedicated to Arminda Neves de Almeida. W is a transcription for chorus and orchestra. Written in the style of the 17th century. Based on a native legend. W is an arrangement for mixed chorus, children's chorus, and piano. Premiered 11 December, , in Montevideo, with Abel Carlevaro. W Saudade da juventude piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, alto saxophone, 2 bassoons, 4 horns, 2 trumpets C , 2 trombones, tuba, timpani, reco reco, bass drum, triangle, dinner plates, drum, dry coconut shells, pandeira, chocalho, strings Orchestral 18 Associated 1.
Vida formosa 2. A gatinha parda 4. O sim 5. Condessa 7. A cotia 9. Na corda da viola De flor em flor Subtitled 'Suite No. Based on popular children's tunes. W Solfejos Vol. W Fugas nos. This is an arrangement of three fugues from Bach's Well-Tempered Clavier. Premiered 27 October, , with Edoardo Guarnieri conducting.
Text by Castro Alves adapted by David Nasser. Based on a popular tune. W is an arrangement for chorus and orchestra, and W is for voice and piano. See W and W For those working on this particular etude, there are a few spots where I found less obvious fingerings less problematic. These solutions are personal but if the spots have been frustrating for any of you, give the following solutions a try. In order to increase the resonance, I like having the 3rd and 2nd strings open on this one so I shift to 5th position to enable this.
There are a few alternate right hand fingerings to explore but I prefer the 1st. In this solution, guide fingers are highlighted in red. While the right hand solution is personal, I like switching to rest-stroke on the highest note of the run.
Latin America is an extraordinarily diverse area, encompassing a wide variety of cultures, political units, economies, languages and environments. The goals of the Latin American studies minor are to foster greater knowledge about Latin America and to explore the cultural contributions of that area to the global community.
The minor aims to expand students' views concerning the multicultural nature of the peoples of Latin America and to emphasize the interactions between indigenous and introduced cultures in this region, both past and present.
The Latin American studies minor will be useful to students envisioning careers in government, business, commerce, communication, or teaching. Students interested in pursuing graduate work in any field related to Latin America will also find such a minor to be important. Technical Note : the low resolution gif images contained in this document are intended to assist in reading the article online.
Introduction Although we have heard of alternative manuscript sources of Villa-Lobos' guitar music for some time, it is only recently that the exciting content of several of these manuscripts has become known. The manuscripts of which I speak are a substantially-fingered autograph copy of the Twelve Etudes , along with several manuscripts relating to the Five Preludes. The most intriguing of the manuscripts is the autograph copy of the Etudes, which adds yet another twist to the sketchy history of this seminal and germinal work for the guitar.
If you don't feel like spending money on books though, IMSLP has some etude books such as the Kopprasch Book One Here , and the Maxime-Alphonse books [there's a big "E" on that page, click on the link below to find links to the books] maybe start around book two as you familiarize yourself with fingerings.
The usage of courtesy accidentals is unnecessary if one follows the usual rules of key signature and employment of accidentals. Where courtesy accidentals do appear warranted, they may best be enclosed in parentheses to eliminate possible confusion. I have removed redundant accidentals except in a very few cases and have parenthesized the exceptions.
Another convention, sufficiently confusing to cause comment on it to appear in both introductions and appendices to the Eschig editions, is that of the notation of harmonics. Rather than propagate this non- standard and occasional inconsistent notation I have replaced it with notation I feel to be most literally accurate.
The tone actually to be produced is shown. That it is a harmonic is indicated by a diamond shaped note head along with the fret position at which the string should be damped and whatever other fingering indications might seem appropriate. More a lack of convention in the source edition is that of inconsistent usage of repeats. There are several cases in these studies where one or many measures of music are re-printed when this could have been avoided by application of standard repeat notation.
Such repeat notation is used in many cases in the originals but consistent application saved a few pages and clarified the form of several of these studies. A final factor, which seems not a major one in these editions, is that of simple errors in notation or printing. There are not many, but there appear to be a few.
Correcting probable errors can be a dicey business. In some cases I have made changes and in others I have not. Among the possibilities I did not change are in measures 19 of 1; 47 of 4; 54 of 8; 34 of
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